2008年4月1日是哥哥張國榮離開我們的五周年，為了讓廣大觀眾可以重溫哥哥舞台上的風采及生活上的點點滴滴，亞洲電視將製作兩個半小時的綜藝節目，藉此悼念我們的舞台巨星。 　　節目以留給張國榮最愛的說話為主題，所以節目內將會找來哥哥生前的好友、曾經合作過的台前幕後，透過他們的訪問，將哥哥演藝事業上的一些點滴再次重現之餘，還會對哥哥逝世五年後的感想，透過張國榮最愛的說話作表達。 　　節目還會拍攝哥哥一連串的悼念活動，以歌迷的角度了解觀眾對偶像的看法同感受，以作為最遙遠的祝福。並會重溫哥哥的各項演出，當中包括演唱會，電視劇及電影等等，讓觀眾可以再次欣賞哥哥舞台上的巨星英姿。

2008年4月1日是哥哥張國榮離開我們的五周年，為了讓廣大觀眾可以重溫哥哥舞台上的風采及生活上的點點滴滴，亞洲電視將製作兩個半小時的綜藝節目，藉此悼念我們的舞台巨星。 　　節目以留給張國榮最愛的說話為主題，所以節目內將會找來哥哥生前的好友、曾經合作過的台前幕後，透過他們的訪問，將哥哥演藝事業上的一些點滴再次重現之餘，還會對哥哥逝世五年後的感想，透過張國榮最愛的說話作表達。 　　節目還會拍攝哥哥一連串的悼念活動，以歌迷的角度了解觀眾對偶像的看法同感受，以作為最遙遠的祝福。並會重溫哥哥的各項演出，當中包括演唱會，電視劇及電影等等，讓觀眾可以再次欣賞哥哥舞台上的巨星英姿。

灵感来自1948年的真实事件。Hassanin是一名埃及电影制作人，负责记录对隔离的尼扎尼姆基布兹的突袭。当基布兹人得知即将到来的军队突袭时，年轻但勇敢的母亲米拉被迫考虑战争的真实代价，做出了不可能的选择。

灵感来自1948年的真实事件。Hassanin是一名埃及电影制作人，负责记录对隔离的尼扎尼姆基布兹的突袭。当基布兹人得知即将到来的军队突袭时，年轻但勇敢的母亲米拉被迫考虑战争的真实代价，做出了不可能的选择。

欧文和艾德饰演两兄弟，他们奇怪的母亲自小就让他们以为父亲死了。当谎言被拆穿，他们便开始了寻父之旅。

The process of being encroached by the persona.

The process of being encroached by the persona.

该剧于2015年5月16日在德国柏林邵宾纳剧院首演； 　　改编自雅丝米娜·雷札的同名戏剧，德语由托马斯·奥斯特迈尔和弗洛里安·博尔希梅耶翻译，这是托马斯·奥斯特迈尔第一次将雷札的作品搬上舞台，雷札本人也参与了该剧的创作。 　　这出戏几乎完全是在露天进行的，在一天即将结束的时候。我从来没有在我的戏剧中讲过故事，所以现在仍然是这样也就不足为奇了。除非你把摇摇欲坠、起伏的生命结构本身看作一个故事。(雅丝米娜·雷札) 　　German translation by Thomas Ostermeier and Florian Borchmeyer 　　A man and a woman in a car-park outside a country restaurant. She, single mother and pharmaceutical technician Andrea, is still in the car. Her lover, glazing entrepreneur Boris, is trying to persuade her to get out – despite the faux pas he has just committed: mentioning the fact that this restaurant was recommended to him by his wife... »Bella Figura« explores the evening that follows this fatal mistake. A short while later, another couple enters the scene: Eric and Françoise, accompanied by Eric’s mother, Yvonne. It soon transpires that they are connected to the first couple in an unfortunate way. 　　This play is almost entirely set in the open air, on a day which is drawing to a close. I have never told stories in my plays so it should come as no great surprise that this is still the case. Unless you consider the faltering, heaving fabric of life itself to be a story. (Yasmina Reza) 　　For the first time, Thomas Ostermeier stages a play by Yasmina Reza. The author wrote the work specifically for the Schaubühne ensemble.

John Lydon of Public Image Ltd, aka Johnny Rotten, is in trademark full-on mode riffing on his post-Sex Pistols career. Illustrated with infamous interviews and classic tracks. 　　In this entertaining record of John-post-Johnny, Lydon demonstrates his undeniable tenacity: "I'm one of the very few people in the pop industry who will just not go away!" Director Tabbert Fiiller dramatically illustrates this by documenting the various incarnations of PiL – from their first show in 1978 (the year that Sid Vicious died) through 'Flowers of Romance' (1981) and 'This is Not a Love Song' (1983) to their 21st century reformation. Past and present band members offer their own interpretation of events. However, it's Lydon who drives the film with his punkish comments, stories of his childhood and managerial troubles, and unexpected insight into his life in the media spotlight. 　　Actor-turned-documentarian Tabbert Fiiller doggedly charts the bad decisions, bad gigs, burnt bridges and burnt-out musicians left in PiL's wake, in addition to the highs of making incredible, often uncategorizable music and some legendary albums. – David Fear, Rolling Stone 　　The captivating John Lydon is the best reason to see a documentary about Public Image Ltd. that tells you more about Lydon's post-Sex Pistols band than you may want to know. – Owen Gleiberman, Variety